Page Turner Book-To-Screen Adaptation Competition

Great Stories Deserve Screen

The Page Turner Books Adaptation Competition discovers exceptional books, short fiction, and graphic novels with the potential to become feature films, television series, limited series, or other screen-based entertainment.

Many compelling stories never reach producers, managers, agents, or development executives because the writers behind them do not have direct access to the entertainment industry. This competition is designed to help bridge that gap.

Backed by nearly a decade of experience through Page Turner Scripts, Page Turner Books brings the same commitment, personal service, and industry-focused approach to authors seeking adaptation opportunities for their work.

What We Are Looking For:

We are seeking original stories with strong characters, distinctive worlds, clear emotional stakes, and the potential to engage audiences beyond the page.

Eligible submissions may include:

Published or unpublished novels
Novellas
Short stories
Short-story collections
Graphic novels
Comic books
Serialized fiction
Young adult and middle-grade fiction
Narrative nonfiction or memoir with adaptation potential

Projects may be submitted by authors or authorized rights holders.

We welcome material across all genres, including:

Action and adventure
Comedy
Crime
Drama
Erotic Romance
Fantasy
Historical fiction
Horror
Literary fiction
Mystery
Romance
Science fiction
Thriller
Young adult
Family and animation

More Than a Contest:

Page Turner Books is committed to doing more than selecting winners.

Standout projects may receive:

Introductions to producers, managers, agents, executives, and other entertainment professionals
Strategic circulation to companies seeking books and intellectual property for adaptation
Guidance on positioning the project for film and television
Support developing submission materials, including loglines, synopses, pitch materials, and adaptation strategies
Long-term promotion and career support from the Page Turner Books and Page Turner Scripts teams

Selected writers may also receive guidance on whether their project is best suited for a feature film, television series, limited series, animation, or another format.

How the Competition Works:

Submissions are evaluated first as written works and then for their potential as film or television adaptations.

Our readers and industry team consider:

Strength and originality of the central concept
Quality of the characters and relationships
Emotional and dramatic stakes
Visual storytelling potential
Strength of the world and setting
Audience and commercial potential
Suitability for film, television, or limited-series adaptation
Opportunities to expand the story into a larger franchise or intellectual property

Writers do not need to submit a screenplay. The competition is focused on identifying written material that could successfully make the transition from page to screen.

Who Should Enter:

The competition is designed for both emerging and established writers.

It may be a strong fit for authors who:

Believe their story could become a film or television series
Want to introduce their work to producers and entertainment representatives
Are seeking greater exposure for an unpublished manuscript
Have published a book but retained or control the adaptation rights
Want professional guidance on presenting their intellectual property to the entertainment industry
Have a strong concept but have not written a screenplay adaptation

No previous film or television experience is required.

Adaptation Rights:

Writers retain ownership of their work and adaptation rights.

Submitting to the competition does not transfer ownership or grant Page Turner Books the right to produce, publish, sell, or adapt a project. Any future representation, option, purchase, publishing, or development agreement would be discussed separately and entered into only with the writer’s approval.

Entrants must own or control the rights necessary to submit the material.

Our Commitment:

As Page Turner Scripts approaches its 10th anniversary, Page Turner Books is extending the same hands-on service, industry access, and long-term commitment to authors of fiction, short fiction, and graphic novels.

Our goal is not simply to recognize excellent writing. It is to identify stories with genuine adaptation potential and help their creators take the next step toward publishing, representation, film, television, and long-term career growth.

Your story begins on the page. We help position it for the screen.

ABOUT US

Connecting Writers with Publishers, Literary Representatives, and the Entertainment Industry

As Page Turner Scripts approaches its 10th anniversary in 2027, we are expanding our commitment to discovering and supporting exceptional storytellers through Page Turner Books.

For nearly a decade, Page Turner Scripts has helped emerging and established screenwriters develop their work, gain industry exposure, and build meaningful connections with producers, managers, agents, and other entertainment professionals. Page Turner Books brings that same level of commitment, personal service, and long-term career support to writers of fiction, short fiction, and graphic novels.

Our mission is simple. Discover compelling stories and help their creators reach the people who can move their careers forward.

Contests & Career Development

Page Turner Books goes beyond the traditional writing competition. We take a hands-on approach to identifying standout voices, developing promising projects, and strategically introducing selected writers and their work to publishing and entertainment industry professionals.

Writers may receive:

Direct introductions to literary agents, publishers, editors, and industry professionals
Consideration from producers and executives seeking material for film and television adaptation
Personalized feedback, career guidance, and project-development support
Long-term promotion and industry circulation for selected writers and projects
Opportunities to build relationships with professionals across publishing, film, television, and digital media
Recognition, awards, and exposure through Page Turner Books competitions and initiatives

Page Turner Books welcomes novels, novellas, short stories, short-story collections, comics, and graphic novels from both emerging and established writers.

Eligible genres include literary fiction, commercial fiction, romance, mystery, thriller, horror, science fiction, fantasy, historical fiction, young adult, middle grade, action and adventure, and other forms of compelling narrative storytelling.

Backed by nearly a decade of experience supporting writers through Page Turner Scripts, our team is committed to providing every selected project with thoughtful attention, strategic guidance, and opportunities tailored to its creative strengths and market potential.

Great stories deserve more than recognition. They deserve a path forward.

FREQUENTLY ASKED QUESTIONS

What is the Page Turner Books Adaptation Competition?

The Competition identifies fiction, short fiction, and graphic novels with strong potential for film, television, limited-series, or animated adaptation.

Projects are evaluated for both the quality of the written work and their potential as screen-based entertainment.

How is this different from a screenplay competition?

Entrants submit a novel, novella, short story, comic book, graphic novel, or other eligible written work.

A screenplay is not required.

The Competition evaluates whether the underlying story, characters, world, and concept could successfully transition to the screen.

Do I need experience in film or television?

No.

The Competition is open to both emerging and established writers and creators. Previous publishing, screenwriting, film, or television experience is not required.

Do I need to know whether my project should be a film or television series?

No.

You may identify your preferred format, but Page Turner Books will also evaluate which format may be the strongest fit for the project.

PROJECT ELIGIBILITY

Can I enter an unpublished novel?

Yes, provided the Competition webpage confirms that unpublished projects are eligible for the applicable season or category.

Can I enter a published book?

Yes.

Traditionally published and self-published books are eligible, provided the entrant owns or controls the necessary adaptation rights.

Can I enter a book that has not been released yet?

Yes.

A project scheduled for future publication may be submitted if the entrant has the authority to submit it and controls the applicable adaptation rights.

Can I enter a short story?

Yes.

Published and unpublished short stories may be eligible.

Can I enter a short-story collection?

Yes.

You may submit the collection as a complete project or identify a particular story with especially strong adaptation potential.

Can I enter a comic book or graphic novel?

Yes.

Published, self-published, serialized, forthcoming, and unpublished comic books or graphic novels may be eligible, depending on the category requirements posted for the applicable competition season.

Can I enter middle-grade or young adult fiction?

Yes.

Middle-grade and young adult projects are eligible, including projects suitable for live-action or animated adaptation.

Can I enter nonfiction or memoir?

Only if the official Competition webpage lists narrative nonfiction, memoir, biography, or true-story material as an eligible category.

Rights and permission requirements may be more extensive for projects involving real people or protected source material.

ADAPTATION RIGHTS

Do I need to own the film and television rights?

Yes.

You must own, control, or have written authorization to submit the applicable adaptation rights.

What if my publisher controls the adaptation rights?

You must obtain written authorization from the publisher or applicable rights holder before entering.

Can my literary agent or publisher submit for me?

Yes.

An authorized agent, publisher, manager, attorney, estate representative, or other rights holder may submit on behalf of an author or creator.

Can I enter a project that is currently optioned?

No, if the active option prevents the project from being considered for other opportunities.

Can I enter a project that was previously optioned?

Yes, provided the agreement has expired or terminated and the necessary rights have reverted to you.

Can I enter a project under a shopping agreement?

A project under an active exclusive shopping agreement is generally not eligible.

A nonexclusive arrangement may be eligible if it does not conflict with the Competition or prevent Page Turner Books from making permitted introductions.

What if I already wrote a screenplay based on my book?

The underlying work may still be eligible if the screenplay has not been produced and the project is not restricted by an active option, shopping, representation, or development agreement.

PREPARING THE SUBMISSION

What materials do I need to submit?

The standard submission package may include:

A logline
A synopsis
Selected pages or an excerpt
An author or creator biography
Publication information
Rights information
A preferred adaptation format
An optional adaptation statement

The final requirements will appear on the registration page.

Do I need to submit the complete manuscript?

Not during the initial submission unless the registration page requests it.

Page Turner Books may request the complete project from entries that advance.

What portion of the project should I submit?

Submit the pages or word count identified on the registration page.

The selected material should present the project as strongly as possible while following the applicable submission requirements.

Can I exceed the page or word-count limit?

A modest overage may be accepted when necessary to finish a chapter, scene, or section naturally.

Substantial overages may not be reviewed.

Do I need to submit a screenplay?

No.

What is an adaptation statement?

An adaptation statement may be requested from Finalists. It is a brief explanation of how you envision the project working on screen.

It may discuss:

Preferred format
Intended audience
Comparable projects
Visual opportunities
Episodic potential
Franchise potential
Reasons the story is timely or commercially relevant

What file formats are accepted?

PDF is generally preferred unless otherwise stated.

Files should be readable, properly oriented, and free of passwords or access restrictions.

MULTIPLE CREATORS AND SUBMISSIONS

Can I submit more than one project?

Yes.

Each project requires a separate registration and entry fee unless the Competition webpage states otherwise.

Can co-authors enter together?

Yes.

The registration must identify all applicable co-authors or creators. The submitting entrant must have authority to act on behalf of the other rights holders.

Who receives the prize if there are multiple creators?

Page Turner Books will deliver the prize to the designated entrant or authorized representative.

The creators are responsible for determining how any cash award or benefit will be divided among them.

Can an illustrator or artist submit a graphic novel?

Yes, provided the submitting person owns or controls the necessary rights or has authorization from the applicable writer, publisher, or co-creator.

EVALUATION AND RESULTS

How are projects judged?

Projects are evaluated based on writing quality, concept, characters, emotional stakes, visual potential, format fit, audience positioning, market potential, and overall adaptation readiness.

Who reads the submissions?

Submissions may be reviewed by Page Turner Books staff, professional readers, writers, editors, publishers, agents, managers, producers, development executives, and other qualified industry professionals.

Will every judge read the complete book?

Not necessarily.

Initial evaluation may focus on the submitted pages, synopsis, logline, and other required materials.

Page Turner Books may request and review the complete project during later rounds.

Will I receive feedback?

Feedback will be provided only when included in the selected entry package, purchased as an additional service, or awarded as part of a prize.

When will results be announced?

All announcement dates will be posted on the official Competition webpage.

How will I know if I advance?

Results may be posted publicly and sent by email.

Entrants should ensure that their contact information remains current and check their spam or junk folders near announcement dates.

AWARDS AND INDUSTRY OPPORTUNITIES

What can winners receive?

Awards may include cash prizes, industry introductions, strategic circulation, career-development guidance, adaptation consultations, promotional support, and assistance preparing pitch materials.

Current prize details will be listed on the Competition webpage.

Does winning guarantee representation or an adaptation deal?

No.

Winning may create access, visibility, meetings, or introductions, but it does not guarantee representation, publication, an option, a sale, financing, or production.

Will Page Turner Books introduce projects to producers?

Selected projects may be introduced or circulated to producers, managers, agents, executives, publishers, editors, or other professionals when Page Turner Books believes the project is a strong fit.

Will Page Turner Books help prepare the project for submission?

Selected writers may receive support with loglines, synopses, adaptation positioning, pitch materials, format selection, and industry strategy.

The exact level of support will depend on the award or selection level.

Will Page Turner Books represent my project?

Entering or winning does not automatically create a representation agreement.

Any representation, shopping, management, publishing, or production relationship would require a separate written agreement.

OWNERSHIP AND CONFIDENTIALITY

Do I retain ownership of my project?

Yes.

You retain ownership of your submitted work and intellectual property.

Does entering give Page Turner Books the right to adapt my work?

No.

Entering does not grant Page Turner Books adaptation, production, publishing, option, shopping, or ownership rights.

Is my submission confidential?

No.

Submissions are accepted on a nonconfidential basis because Page Turner Books and its industry professionals regularly encounter projects with similar ideas, themes, genres, settings, and concepts.

Your ownership rights remain protected under applicable law.

Should I register my copyright before submitting?

Entrants are responsible for determining whether and how to register or protect their work.

Page Turner Books does not provide legal advice.

ENTRY ADMINISTRATION

What are the entry dates and fees?

The final entry dates and fees will be announced on the official Competition webpage.

Are entry fees refundable?

Entry fees are refundable according to the operating rules of FilmFreeway.

Can I update my submission after entering?

Page Turner Books may permit limited corrections before the applicable deadline.

Substantial revisions, replacement manuscripts, or changes made after judging begins may require a new entry.

Can I change my contact information?

Yes.

Contact Page Turner Books as soon as possible if your email address, telephone number, representation status, publication status, or rights status changes.

What happens if my project is optioned after I enter?

Notify Page Turner Books immediately.

Page Turner Books will determine whether the project remains eligible based on the terms of the agreement and the stage of the Competition.

Who can I contact with additional questions?

Questions may be directed to: pageturnerbookscompetition@gmail.com

RULES & REGULATIONS

1. COMPETITION PURPOSE

The Page Turner Books Adaptation Competition discovers exceptional fiction, short fiction, and graphic novels with the potential to become feature films, television series, limited series, animated projects, or other forms of screen-based entertainment.

Page Turner Books evaluates each eligible submission both as a written work and as a potential screen property.

As Page Turner Scripts approaches its 10th anniversary, Page Turner Books brings the same commitment, personal service, and industry-focused support to authors and creators seeking opportunities in publishing, representation, film, and television.

The goal of the Competition is not simply to recognize strong writing. It is to identify compelling stories and help selected creators position their work for meaningful professional opportunities.

2. COMPETITION ADMINISTRATOR

The Page Turner Books Adaptation Competition, referred to throughout these Official Rules as the “Competition,” is administered by:

Page Turner Screenplays

Doing business as Page Turner Books.

The Competition administrator may be referred to as “Page Turner Books,” “PTB,” “Administrator,” “Sponsor,” “we,” “us,” or “our.”

Questions regarding the Competition may be directed to:

pageturnerbookscompetition@gmail.com

3. WHO MAY ENTER

The Competition is open to writers and creators worldwide who are eighteen years of age or older at the time of entry.

Eligible entrants may include:

Authors
Co-authors
Comic-book writers
Graphic-novel creators
Publishers
Literary agents
Managers
Attorneys
Estates
Other authorized representatives of the applicable rights holder

A publisher, agent, manager, attorney, estate representative, or other third party may submit a project only if that person or organization has authority from the applicable rights holder.

The following individuals are not eligible:

Employees, officers, directors, contractors, readers, or judges of Page Turner Books
Individuals directly involved in administering or producing the Competition
Immediate family members or household members of an ineligible individual
Anyone prohibited from entering under applicable law

Page Turner Books permits previous finalists, semifinalists, or participants to enter new projects unless otherwise stated on the Competition website.

4. ELIGIBLE PROJECTS

The Competition accepts original narrative works with potential for adaptation into film, television, limited series, animation, or another screen-based format.

Eligible formats may include:

Novels
Novellas
Short stories
Short-story collections
Serialized fiction
Comic books
Graphic novels
Young adult fiction
Middle-grade fiction
Narrative works intended for family or animated audiences

Projects may be:

Traditionally published
Self-published
Scheduled for publication
Previously distributed through a serialized-fiction platform
Unpublished

Page Turner Books may establish separate categories, awards, or submission requirements for published and unpublished works.

Eligible genres may include:

Action and adventure
Comedy
Crime
Drama
Erotic Romance
Fantasy
Historical fiction
Horror
Literary fiction
Mystery
Romance
Science fiction
Thriller
Young adult
Middle grade
Family
Animation
Genre combinations and other forms of narrative storytelling

Page Turner Books may decline material that does not reasonably fit the purpose or available categories of the Competition.

5. PROJECTS THAT ARE NOT ELIGIBLE

A project is not eligible if:

It has already been produced or commercially released as a feature film, television movie, television series, limited series, or substantially equivalent screen production
It is subject to an active film or television option that prevents the entrant from discussing or pursuing other adaptation opportunities
It is subject to an exclusive shopping, representation, attachment, or development agreement that conflicts with participation in the Competition
The entrant does not own or control the rights necessary to submit the project
The project unlawfully uses copyrighted material, trademarks, characters, artwork, or other intellectual property belonging to another party
The project is based on a true story, real person, or protected source material without the permissions required by law
The submission contains false, misleading, fraudulent, or materially incomplete information

A project that was previously optioned or shopped may be eligible if the prior agreement has expired or terminated and all applicable rights have reverted to the entrant.

An unproduced screenplay based on the submitted project does not automatically make the project ineligible, provided the entrant controls the necessary rights.

6. RIGHTS AND AUTHORITY TO ENTER

By submitting a project, the entrant represents and warrants that:

1. The entrant is the author, creator, owner, or authorized representative of the submitted project.

2. The entrant owns or controls the rights necessary to participate in the Competition.

3. The submission does not infringe the copyright, trademark, privacy, publicity, contractual, or other rights of another person or organization.

4. The entrant has obtained any required authorization from co-authors, illustrators, publishers, estates, artists, or other rights holders.

5. The project is not subject to an agreement that prevents its submission or consideration.

6. There are no undisclosed claims, disputes, legal proceedings, or ownership conflicts involving the submitted project.

7. The information supplied during registration is accurate and complete.

Page Turner Books may request documentation establishing ownership, publication status, rights control, or authority to submit.

Failure to provide requested documentation may result in disqualification.

7. REQUIRED SUBMISSION PACKAGE

Each entry must include the materials identified on the official Competition registration page.

The standard Page Turner Books Adaptation Competition submission package may include:

A logline of up to 75 words
A project synopsis of up to two pages
Selected pages or an excerpt from the written work
An author or creator biography
Publication or distribution information, when applicable
Current representation information, when applicable
A declaration regarding film and television rights
The entrant’s preferred adaptation format
An optional adaptation statement
Selected Written Material

Entrants will submit:

A modest page or word-count overage may be accepted when necessary to conclude a chapter, scene, or section naturally.

Page Turner Books may request the complete manuscript, complete graphic novel, additional pages, artwork, sales information, or supporting materials from projects that advance.

A screenplay adaptation is not required.

8. HOW TO ENTER

Via filmfreeeway.com unless otherwise stated, each paid entry covers one project.

Entrants may submit multiple projects. Each project requires a separate registration and entry fee.

Entries must be submitted electronically. Physical manuscripts, books, comic books, graphic novels, storage devices, or other materials sent by mail will not be accepted or returned.

Page Turner Books is not responsible for submissions that are:

Late
Incomplete
Corrupted
Illegible
Password protected
Improperly formatted
Uploaded to the wrong category
Sent to an incorrect email address
Lost because of a technical or internet failure

Entrants are responsible for confirming that all required materials have been successfully uploaded.

9. ENTRY WINDOWS AND FEES

All Entry Periods will be listed on Filmfreeway.com.

Page Turner Books may extend a deadline or add an additional entry period. Any change will be posted on the official Competition webpage.

Entry fees are nonrefundable except where required by law or when Page Turner Books cancels the Competition without providing an alternative competition period or substantially equivalent service.

10. HOW PROJECTS ARE EVALUATED

Entries are evaluated for both literary quality and adaptation potential.

Page Turner Books may consider the following criteria:

Story and Concept

Strength of the central premise
Originality
Clarity of the story engine
Emotional and dramatic stakes
Ability to sustain audience interest

Characters

Strength of the protagonist
Character relationships
Internal and external conflict
Character development
Casting potential

Screen Potential

Visual storytelling opportunities
Cinematic or episodic structure
Strength of the setting and story world
Potential for memorable scenes and sequences
Suitability for live action or animation

Format Fit

Feature-film potential
Television-series potential
Limited-series potential
Animated-project potential
Franchise, sequel, or expanded intellectual-property potential

Audience and Market Position

Intended audience
Genre appeal
Comparable projects
Commercial positioning
Current interest among producers, representatives, studios, streamers, publishers, and other industry professionals

Writing and Execution

Voice
Structure
Pacing
Dialogue
Description
Emotional impact
Overall professional readiness

Evaluation is subjective. Different readers and industry professionals may reach different conclusions about the same project.

Page Turner Books does not guarantee that a particular submission will appeal to every reader, judge, publisher, literary representative, producer, manager, or executive.

11. EVALUATION PROCESS

The Competition may include multiple evaluation rounds.

These may include:

1. Initial review

2. Quarterfinalist selection

3. Semifinalist selection

4. Finalist selection

5. Winner and runner-up selection

6. Industry review or consultation

Page Turner Books may use staff readers, professional writers, editors, literary representatives, producers, managers, development executives, publishers, or other qualified industry professionals during the evaluation process.

The number of advancing projects may vary based on the number and quality of submissions received.

Page Turner Books may choose not to award a particular placement if no eligible submission meets the required standard.

All decisions regarding eligibility, advancement, category placement, evaluation, and final results are made at the discretion of Page Turner Books and are final.

12. AWARDS AND RECOGNITION

The Competition may recognize:

One Grand Prize Winner
Category Winners
Runners-up
Finalists
Semifinalists
Quarterfinalists
Special Jury Selections
Projects selected for industry circulation

Current awards and prize details will be listed on the official Competition webpage.

Prizes may include:

Cash awards
Direct introductions to literary agents, managers, publishers, editors, producers, or entertainment executives
Strategic circulation of selected projects
Meetings with publishing or entertainment-industry professionals
Adaptation-positioning consultations
Logline, synopsis, or pitch-material development
Career-development guidance
Promotional support
Recognition through Page Turner Books and Page Turner Scripts
Invitations to selected events, panels, workshops, or industry programs

Prizes are nontransferable unless Page Turner Books approves a transfer in writing.

Page Turner Books may substitute a prize with another prize of equal or greater value if the original prize becomes unavailable.

Winners are responsible for any taxes, reporting obligations, expenses, or fees connected to receiving a prize.

13. INDUSTRY INTRODUCTIONS AND CAREER SUPPORT

Page Turner Books goes beyond traditional competition recognition by providing selected writers with strategic, personalized support.

Depending on the project and award level, selected entrants may receive assistance with:

Identifying the strongest adaptation format
Refining a logline or synopsis
Positioning the project for publishers or literary representatives
Positioning the project for producers, managers, or entertainment executives
Preparing pitch materials
Presenting relevant publication, sales, platform, or audience information
Determining whether the project should be adapted by the original author or another screenwriter
Developing a long-term submission and career strategy

Introductions, meetings, circulation, and career-development support do not guarantee:

Literary representation
Management
Publication
An option agreement
A shopping agreement
A purchase agreement
Financing
Production
Distribution
Employment
Any other commercial or professional result

Any option, shopping, representation, publishing, licensing, production, or purchase agreement must be negotiated separately between the applicable parties.

14. OWNERSHIP OF SUBMITTED WORK

Entrants retain ownership of their submitted projects.

Entering the Competition does not:

Transfer copyright to Page Turner Books
Transfer publishing rights
Transfer film or television rights
Grant Page Turner Books an option
Grant Page Turner Books an exclusive shopping right
Appoint Page Turner Books as the entrant’s agent, manager, producer, publisher, or attorney
Require the entrant to enter into any future agreement

Any future commercial agreement must be separately negotiated and approved in writing by the entrant or applicable rights holder.

Entrants are responsible for protecting their own intellectual-property rights, including registering their work with the United States Copyright Office or another appropriate authority.

Page Turner Books does not provide legal advice concerning copyright registration or rights ownership.

15. NONCONFIDENTIAL SUBMISSIONS

All entries are submitted voluntarily and on a nonconfidential basis.

Page Turner Books and the professionals participating in the Competition receive, review, develop, and encounter many projects, concepts, characters, themes, settings, and story ideas.

Entrants acknowledge that other works may contain elements that are similar to elements in their submission.

Similarity may result from:

Common themes
Genre conventions
Historical events
Public-domain material
Independent creation
Coincidence
Generally available ideas or information

Submission of a project does not create a confidential, fiduciary, agency, management, partnership, employment, or other special relationship between the entrant and Page Turner Books.

Nothing in this section permits Page Turner Books or another party to unlawfully copy or commercially exploit an entrant’s protected expression.

16. WINNER NOTIFICATION AND VERIFICATION

Potential winners and selected entrants will be contacted using the email address or telephone number provided during registration.

Entrants are responsible for:

Providing accurate contact information
Keeping their contact information current
Monitoring their email account
Checking spam or junk folders
Responding within the period stated in the notification

A potential winner may be required to provide:

Proof of identity
Proof of age
Proof of eligibility
Proof of publication, when applicable
Proof of ownership or rights control
An affidavit or declaration of eligibility
A liability release
A publicity release
Tax documentation
Other documentation reasonably required to confirm eligibility

A winner who does not respond within 60 calendar days may be disqualified.

Page Turner Books may select an alternate winner from the remaining eligible entries but is not required to do so.

17. PUBLICITY

Except where prohibited by law, winners and officially recognized entrants grant Page Turner Books permission to use the following information for legitimate Competition, archival, advertising, and promotional purposes:

Name
Approved biography
Photograph or likeness
City, state, or country
Project title
Logline
Competition placement
Approved quotation or testimonial

Page Turner Books may publish this information through:

The Page Turner Books website
The Page Turner Screenplays website
Email newsletters
Social-media accounts
Press releases
Competition announcements
Events, panels, or presentations
Affiliated promotional platforms

Page Turner Books will not publish the complete submitted work or substantial excerpts from it without permission from the applicable rights holder.

18. ENTRANT CONDUCT

Page Turner Books may disqualify an entrant who:

Provides false or misleading information
Attempts to manipulate or interfere with the evaluation process
Contacts or pressures a judge or reader regarding an entry
Threatens, harasses, or abuses staff, readers, judges, or other entrants
Attempts to submit stolen, unauthorized, or plagiarized material
Violates these Official Rules
Engages in fraud or other unlawful conduct
Attempts to compromise the Competition website or registration platform

Disqualification may occur without refund.

Page Turner Books may prohibit an individual from entering future competitions when serious misconduct has occurred.

19. RELEASE AND INDEMNIFICATION

To the fullest extent permitted by law, each entrant agrees to release and hold harmless Page Turner Books and its owners, affiliates, employees, contractors, readers, judges, representatives, sponsors, prize providers, and promotional partners from claims arising from:

Participation in the Competition
Submission of the project
A breach of the entrant’s representations or warranties
Acceptance or use of a prize
A dispute involving the entrant’s rights or authority to submit
A claim that the submitted project infringes another party’s rights

Each entrant agrees to indemnify and defend Page Turner Books against third-party claims, losses, liabilities, damages, expenses, and reasonable attorneys’ fees resulting from the entrant’s breach of these Official Rules or representations.

This provision does not authorize Page Turner Books to exploit the submitted project in violation of applicable copyright law.

20. LIMITATIONS OF LIABILITY

To the fullest extent permitted by law, Page Turner Books is not responsible for:

Lost, late, incomplete, corrupted, or misdirected submissions
Website, server, software, payment-platform, or internet failures
Email messages blocked by spam filters or delivery systems
Unauthorized access to or interference with the registration process
Errors made by entrants during registration
Damage to a computer, device, file, or network connected to participation
Conduct or decisions of independent judges, readers, or industry professionals
Failure of an industry professional to respond to or pursue a submitted project
Injury, loss, expense, or damage resulting from participation or use of a prize

Nothing in these Official Rules limits liability where such a limitation is prohibited by law.

21. COMPETITION CHANGES OR CANCELLATION

Page Turner Books may modify, suspend, postpone, extend, or cancel the Competition if circumstances beyond its reasonable control affect the integrity, fairness, security, or operation of the Competition.

Such circumstances may include:

Technical failures
Fraud
Cybersecurity incidents
Natural disasters
Government actions
Public-health emergencies
Platform failures
Labor disruptions
Other events beyond reasonable control

If the Competition is canceled, Page Turner Books may provide refunds, credits, substitute services, or another reasonable remedy, subject to applicable law.

22. GOVERNING LAW AND DISPUTE RESOLUTION

These Official Rules and the entrant’s participation in the Competition are governed by the laws of the State of California, without regard to conflict-of-law principles.

Any dispute arising from the Competition or these Official Rules will be resolved through binding arbitration in Los Angeles County, California, under the applicable rules of the American Arbitration Association, unless applicable law requires another procedure.

The arbitration will be conducted by one arbitrator. When reasonably available, the arbitrator should have experience in publishing, entertainment, media, intellectual property, or competition-related disputes.

The arbitrator’s decision will be final and binding.

Unless required by law or ordered by the arbitrator, each party will be responsible for its own attorneys’ fees and costs.

23. SEVERABILITY AND WAIVER

If any provision of these Official Rules is found to be invalid or unenforceable, the remaining provisions will continue in effect.

Page Turner Books’ failure to enforce a provision does not waive its right to enforce that provision later.

Section titles are included for convenience and do not limit the meaning of the applicable provisions.

24. RESULTS

Announcement dates will be posted on the official Page Turner Books Adaptation Competition webpage.

Results may be announced through:

The Page Turner Books website
The Page Turner Scripts website
Email communications
Social-media accounts
Press releases
Competition events
Affiliated promotional platforms

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So, What’s Your Story?

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So, What’s Your Story?